barbie grrl

Because of my unabashed love for bad Barbie art, I love this jewelry. It is not typically my style but I see it as rather riot grrl chic. The teenage rebel grrrl in me so wants to rock like five of her bracelets, a baby doll dress and a bunch of plastic clips. I have been hearing so much about this 90’s fashion revival, maybe I’ll just go for it.

Pieces by Margaux Lange, made of Barbie-bod parts and silver. Buy for yourself, or as a fun x mas gift.

Wardrobe: stripped and swapped

The most productive thing I’ve ever done for my closet and possibly my personal style is the night I spent cleansing my wardrobe with my neighbor-friend Perry.  We threw away about 50% of our clothes, bringing new life to our closets by claiming the treasures we found in each others trashed clothes.

The rules were simple. Throw away anything you don’t wear, or that you don’t see yourself wearing again. Throw away anything that does not lend itself to your current personal style, or what your mind’s eye sees as your classic style.  Throw away anything you wore in order to fit in with a certain group, or for a boy. Throw away all things that are faded or look too old. Convene with the clothing-trash and take anything you’d like that the other girl has tossed, everything else gets thrown out!

With the help of a few glasses of wine it becomes incredibly easy and empowering to throw away in gobs the pieces of who you’ve been. As i dug through and tossed more and more into the bulging bags, I refused to give into ambivalence. I began to feel fashion baptized. I let go of nostalgia. I let the ideas of my future direct me, what I wanted to look like and the pieces of clothing that made me feel good, safe, most myself.

I chose items to sacrifice that were much more suited to Perry, a sheer floral printed blouse, an oatmeal colored cob-webbed shawl, a lacy lilac top.

When we came together it quickly turned into a ridiculous fashion show and naked glance into each others past lives. We bonded over various skull and crossbones printed rags and held up band tees in a form of self deprecating amusement. We gave each other carefully chosen presents from our closets, taken with glee and appreciation.

When it was all over and we sat on the floor in piles of dresses, skirts and tops, our golden glasses of wine raised triumphantly. As women true to our word we packed the rest back into our trash bags and made the way down to our buildings dumpster, flinging the bags in.

The next morning as I got dressed for work I admired the immaculate minimalism of my closet, the crisp folded turtlenecks, the beloved hanging dresses. I got ready and felt lighter in myself, freed.

I was working as a hostess at the time for a sushi bar in the gold coast. It was the morning shift and rather slow. I stood behind the hostess stand thinking of how clear I felt, wondering if Perry felt as great and hopeful. My bouncing thoughts were suddenly broken as a twig-thin woman with a runway strut walked from across the street towards the restaurant.

I immediately recognized the burgundy colored pants with black lace overlay as a Christmas present from my mother years ago. They were a size zero and I had never been able to squeeze into them. Miss thing was rocking the pants. On top she wore a tee-shirt of deep purple that in large hot pink letters read “So Fresh, So Clean.” It had, the night before, resulted in fits of laughter when Perry presented it from her bag.

She dramatically approached my hostess stand and asked “Can I have some matches?” It was the same homeless woman who lolled this neighborhood day and night. She was having a very on day.

I handed over a fistful of matches and watched in awe and she sashayed out.

So… throwing out things you don’t need can be good for your closet and your psyche. It can also be good for friends and whoever else may reap the benefits of you un-worn clothes.  I bring this up now because I am long overdue for another one of these cleanses. Anyone up for a swap?

it’s just…a Purple Crush

photo by jocelyn baun

photo by jocelyn baun

I recently chatted with the lovely Isla from the band Purple Crush,  Not familiar with them? Find out more and see Videos below.

In 2006 sweethearts Jared and Isla, of the electropop band Purple Crush embarked on their first U.S. tour. As they traveled by car from city to city, a fluorescent colored phenomenon spread before their eyes. “We saw this thing happening. We began to notice that it was the same in every city. Kids were dressing the same and wanting to hear the same music. We saw this movement happening that was very youthful with very high energy, very neon” says Isla.  Purple Crush were in the right place at the right time as this newborn movement tore through underground loft parties and hip clubs in major cities the world over.

While they are best known for the countless remixes of Isla’s clear pop vocals against Jared’s electro beats, Purple Crush have gone through a variety of sounds. The married hipster-couple met in college, ironically enough on the dance floor. Isla was going to school for dance and Jared for music. It wasn’t long before the two began experimenting with the latter. The evolution of Purple Crush is not linear and cohesive but rather wild and in the moment. Earlier songs of theirs were more rock influenced, later more R&B, then hip hop. The duo even went through a funk phase.

In 2006 the energy of electro would direct Purple Crush. “We heard and saw this thing and it was like let’s jump on this. That’s when we recorded Welcome to emo club. It was: let’s make an album of music for this group of peple” says Isla. This was the year of blog house, and it was the blogs that made Purple Crush. “When we started friendster hadn’t even been invented yet. The only person i knew of that was doing Internet stuff was Prince while he was separating from his label. We felt like we could see this new world that didn’t exist yet. It wasn’t until someone blogged us, that this huge door opened. Through myspace, blog connections and message boards I was able to book tours.”

Purple Crush’s live shows capture the heartbeat of the scene. Isla owns the stage decked out in purple lacquered on leggings and tiny tops. Her dancing incites energy; she combines her classical training with club moves. “My aim with our live shows is to inspire people to explore their bodies more. I like to get people so heated that when the DJ takes over they are just experiencing dancing and their bodies in a whole different realm” Says Isla. This passion for dance enters during the writing process, as they often write with a dance move in mind. “The dance for shopping on the dance floor would be during the line ‘peel it, peel it’ I do a version of the butterfly. It’s like this old school dance where you move your knee in and out, your pelvis makes this waving motion” she explains.

While it’s the blogs and electro scene that have given Purple Crush their push, the duo are beginning to grow from their bloghouse roots. Their last album “Blog Party” was to be a kiss goodbye to the blogs. “It just started to kind of kill the song, it got so abstract- just remixes over and over, I loved that but we miss those 80’s pop songs that make you emotional and want to dance at the same time.” For their next record Purple Crush are working on perfecting pop songs and getting back to more song based music with live instruments. Isla’s vision is more artsy, less “hypebeast.”

This new direction for Purple Crush is apparent in their cover of Kate Bush’s “Running up that Hill (A Deal with God)”. Isla’s poppy take on Bush is sparkling and heartfelt. The track remains powerful, and even becomes danceable as Isla proves in the video. The cover was a more personal break from their usual dance tracks. “We were listening to hounds of love alot, there were a lot of things going on in our life that we were recovering from and that song in particular helped us. It just made sense to cover it” Isla says.

Isla is inspired by legendary female singers such as Annie Lennox, Madonna and of course Kate Bush but she also finds inspiration in the new artists such as Santogold and Hercules and the Love Affair who are on the song based direction that Purple Crush are edging towards. “I think bloghouse does want to grow up” Isla says. Isla and Jared are growing, they are moving towards an underground retrieval of pop music.

“Pop music has been dominated by mass produced 18 year olds, back in the 80’s and 70’s people didn’t care as much if the artists were super hot, it was the music that mattered” Isla says.

Isla is openly a fan of Madonna and Britney Spears, having even covered songs by both artists, but she admits that they are part of the problem, “Everyone is trying to hold onto this blond, totally toned ideal. It’s so boring.  Look at Britney, she shaved her head, we all know she has short hair! Yet she insists on putting these extensions in to look like she did when she was 21. I want evolution here” Isla says.

The music industry notoriously makes it hard for anyone new to step in; this seems especially true for unique women artists in the past decade. It is as if the strong, visible women artists from the 90’s scared the Industry and in turn the mainstream away from revolution. Isla is hopeful though, “If everything is the same it is inevitable that something new will come along” She concludes.

Shopping on the Dancefloor

Running up that Hill (A Deal with God)

Vacation

2 Many Hypebeasts- “We did this song and it was to make fun of the movement but we were embracing it at the same time”- Isla.

revolution friendship-style now (girl talk)

Have you ever spent a night tossing and turning, swallowed by feelings of loneliness, worry or sorrow? Although you have close friends in whom you spend hours pouring your thoughts, feelings and experiences into, lying awake at night: does anyone truly know your true self?

The New York Times recently ran an article about the way that girls communicate and how it is so often negative. The article is backed with psychological studies on co-rumination. While the fact that this article centers on it the stereotype that “women just love to talk” is forever worthy of eye rolling, I think there is truth to the idea that women’s relationships are based on communication. What this article points out is that we talk and talk and talk…in circles. Nothing gets solved, and this obsessive talking leads to deeper problems. What the article did not touch on and what I have found to be true is that women and teenage girls especially (with reason: hello Mean Girls!) are scared of being honest with one and other.

As you tell your friend for the third time this week that your heart is hurting, and ask: “Why is he such an asshole? Why do I still love him?!”
Do you receive honest curiosity from your friend? Or is it more like: “You poor thing, I’m so sorry. You deserve better” or “Well let’s dissect him and come up with every reason why he is fucking scum. I hate him too!”
Where is the true curiosity for your experience? Where is eagerness for the why? –Why is this happening to you? What is at the root of it? How can we try to stop this from happening again?

How would you feel if your friend delved that deep and curious into your hurting? Perhaps it is scary, I think many times the tales we yarn are just noise. We come up with a million stories as to why we are feeling sad or anxious so that our close friends cannot get close to that real despair inside of us. This is pointless of course because often they are trying to not see it anyway.

Naturally this conversation works both ways. If you are sharing your “feelings” with a friend but are justifying what you feel with  secondary emotions and are telling stories as to why you feel this way, you are diverting your friend from the real problems inside of you. We tell these stories and we do not even realize we are doing it. When you tell your friend you had no idea he would turn out to be such an asshole,  it feels good. As you convince her of how true the story is you begin to believe it is real yourself. It is hard to let our defenses down, to truly give into becoming vulnerable with friends. Have you ever tried saying to your friend right in the moment, “I feel _____________. I don’t know why.”

I am reminded of an episode of Sex and the City, from season two called “The games people play” (AKA the one where Carrie sleeps with Jon Bon Jovi.) Carrie and Big have broken up. Carrie babbles incessantly to her friends telling this story of “Why she is okay and why this is better. And he didn’t deserve her!” Her friends blatantly ignore her, rolling their eyes and stepping away from her as if she were toxic. What if instead, one of them had said something like “Carrie, I’m not interested in this. If you want to talk about how you are feeling and explore what is going on for you emotionally right now, let’s do that. But I am not going to listen to any more of this anxious story telling.”
What does happen in this episode is that the girls end up sending Carrie to therapy, which is not necessarily a bad thing: I think that Carrie Bradshaw could really use some therapy. Yet this seems hasty, cold. Her friends did not try in the moment to be honest, vulnerable and strong with her at all. Saying “I suggest therapy” is fine for a co-worker or some other semi-stranger telling you their problems, but a best friend deserves an honest and open conversation. Sending her into therapy is an easy answer, just as the stories she wove about Big were easy answers.  Easy answers are where personal growth, discovery and intimacy stop.

In the New York Times article Amanda J. Rose, an assistant professor of psychological sciences at the University of Missouri, says “Teenage girls are more prone to co-rumination problems because of the many stressors in adolescence.”  Since my experience of adolescence was of a time of constantly being on edge, of trying to simply survive and to get the hell out, this rings true. A lot of teenage girls are involved in cliques whose foundation is built on not being honest and vulnerable with each other. In my own teenage years I experienced this lack of true openness and on a pop culture level I would equate my teen experience more with “Ghost World” rather than “Mean Girls.” This reference also adds up. In Ghost World, Becky and Enid are fairly open and vulnerable with one and other, yet boundaries with truth telling still exist. Their friendship begins to unravel when Enid refuses to tell Becky how she feels about their moving in together. What if instead, Enid had said as they were searching apartments “I am feeling really anxious right now.” Of course if Becky were actually Enid’s friend she would be eager to know why her friend was anxious, would try to help and her and understand and that if their looking at apartments is making her anxious, why?

While it is easy to see how girls in fascistic cliques would be frightened of being real with one and other, Becky and Enid’s fear of honesty is more beclouded. Still yet why are grown women with “mature” relationships scared of saying what they feel in the moment to their “best friends”?

So often we are afraid because we already know what will happen before we even begin open our mouths to release that raw vulnerability. Many times we are fearful of how this will effect us immediately, as it can bring up hard to handle terrible truths within our lives. We are also innately aware of what our so-called friend’s reaction will be.

By mulling this over you may find that you have a lot less true friends than you thought. Though true, deep friendships based on honesty are infinitely more meaningful than a group of hot, fun friends that you can go to parties with.  To find only one person in your life to be honest and unafraid with is more rare and fulfilling than the relationships most people will discover in a lifetime of friendship.

The Times article ends on a quote from Toby Sitnick, a Brooklyn psychologist who works with adolescent girls: “They often do this with their mothers as well. It certainly does seem to be a female behavior, and grown women do it, too, ruminating about certain issues and experiences. It can become a mutual complaint society.” As a feminist, her description of women’s interactions as a mutual complaint society makes me want to run to the defense of girl culture. Yet I cannot deny my experiences, I cannot deny what I know and what I have felt in nearly all of my friendships. Little girls are not taught to be honest, we are not taught to express in the moment how we are feeling, especially if it is an undesirable “bad” emotion. We are taught to be passive, subservient.

Though the beauty in all of this is that you possess the capacity for control, for change over your relationships. This change can be made now, suddenly and adventrously, as revolutions are.

for more information on this school of thought please visit freedomain radio and for a detailed guide into honest and loving relationships please check out Real Time Relationships written by Stefan Molyneaux, highly recommended by me.

Fall Fash (what trends are u actually wearing?)

Christian Dior

Christian Dior

YSL

YSL

Alexander Wang

Alexander Wang

Christian Dior

Christian Dior

Christian Lacroix

Christian Lacroix

Christian Lacroix

Christian Lacroix

YSL

YSL

YSL

YSL

Betsey Johnson

Betsey Johnson

As the seasons grow longer, my imagination starts to wander and I become impatient with my styling.  I begin to draw inspiration from all that is around and inside of me. I used to make bulleted lists for new styles in my journal, listing ideas like “mod sailor” or “futuristic/sparkly.”

I love delving into my imagination for new styles yet I can’t help but to notice that a lot of the time things I am conjuring up in my mind either were recently on the runway (whether I subconsciously knew it or not) or make it there the next season. I think most design//fashion minded people have experienced this.  Could it be that all of us fashion dreamers are vibrating on some similar cosmic wave?

I think a lot goes into it: the trends in all areas of design,  straight inspiration from clothing designers and runway as well as what is going on culturally at the time with music art, subculture.  If there is any truth to the idea that the economy predicts hemlines, then couldn’t many other aspects of our culture predict trends?

I dno… regardless, from my imagination and spotted the runway (above) I present to you some of my favorite Fall Trends:

Trousers:
even pleated pants: My thrifted 90s Donna Karen Black pleated pants are my current fave item of clothing.

Sheers:
one of my new faves. I’ve been wearing a black sheer bodysuit with only a black bra underneath paired with high waisted pencil skirts or trousers.

Kneesocks:
I recommend target for every spectrum of the kneesock rainbow. I mostly stick with classic black but I’m not opposed to a little color or a Lolita white.

Shiny pants:
I’ve been living in a pair of black satin cigarette pants for the past month and a half. Their chic just won’t wear off.

Long skirts and dresses: Isn’t there something deliciously decadent about wearing floor sweeping skirts and dresses? It either makes me feel super femme or like an awesome evil empress.

All black: Sure its a fall/winter classic but i can’t help but to notice the runways were swallowed with midnight fabrics. I’m always pushing for for a classic 1980’s goth come-back.

Exaggerated Curvy Fit on dresses: (Anorexia is soooooo 05) EX: see first Dior. I love love this trend, it has been going strong and it looks like it isn’t going away anytime soon. Curvy is the new skinny, it’s all about padding the models.

Beauty//

Thin arched brows: I recently did mine and I adore them. They are super thin, rounded arch but not overly dramatic. My favorite part at first was that I realized they made my eyes look bigger. Then, sadly I realized that they also made my whole face look bigger.

Black lips: Long time fave look of mine. Its hard to beat black shiny lip gloss and some mascara-  a fierce yet simple look.

Updos: Since I’ve been growing my hair out I have been swearing by the mini hive up-do almost daily. I love it, it makes me wish this were 1962 and I could go to the hairdressers every week to get my hair set in a different ‘do.

Anyone else, faves? What “fall trends” are you actually putting to use?

Dandi Wind (Interview)

Dandi Wind is a band whipped up from the minds of Dandilion Wind Opaine and Szam Findlay. I saw Dandi perform in Chicago at Funky Buddha Lounge during an (RIP) Outdanced party.  I hadn’t been to a show so dynamical in a long time. It was the kind where the music buzzes in your veins and down through your belly; the whole audience hovering on the same vibe. The force was dawned in Dandi as she sang, jumpy-dancing and rolling around on the floor. That core of raw energy  attached itself to the glowy eyed, bobbing audience members around me. Suddenly the sea of audience was in mesmerized fits of ecstatic jumping and dancing.  I danced with the cute stranger-girls next to me, making oscillating hand-to-mouth “indian-warrior” noises– like when you’d play as a kid.

Here, the woman fronting this kaleidoscopic off the wall pow-wow, Dandi Wind, opens up about the evolution of her music, fashion and the fall of the strong front woman:

R: What were you like as a kid?
DW: “A mixture of both shy and dramatic. just like now. I’ve Always loved fantasy, theater and dressing up.”

R: How did you and Szam meet?
DW: “In a theater camp about a decade ago.”

R: How would you describe your relationship?
DW: “Sexual.”

R: What drives you as an artist? Where do you find inspiration?
DW: “I watch a lot of films, read books, the news. Traveling around the world and finding out local myths or bizarre stories. Also personal hardships I guess.”

R: Tell me about the latest album, Yolk of the Golden Egg, what is it about?
DW: “It is not more “mature” though so some would say that but probably more reflective and slower. Yolk of the Golden Egg is a reflection upon my previous experiences of being a musician. The golden egg is success and the yolk is what is really inside the egg.”

R  You’ve said you are somewhat anti-social. Where do you pull the Dandi Wind persona from?
DW: “Yeah I’m definitely not a social person. But then again I don’t think I’m “social” on stage onstage. It’s just me performing in response to each song. I don’t tell the audience to do anything but of course prefer them to respond with energy which in turns gives me adrenaline in addition to the music itself.”

R: Have you always been straight edge?
DW: “I was straight edge from 2003-2006 now I occasionally have a drink.
Drugs affect me in a bad way so that’s primarily why I don’t do them.
Also even alcohol weakens my ability to perform and it can be dangerous, not in a cool, unhinged way – I just don’t want to fall offstage or fuck up.”

R: What have been your inspirations for the styling of Dandi Wind?
DW: “Tribal: both ethnic and primitive, dance costumes because they’re easy to move in, sequins because they catch the light and look great in photos. It’s basically things I gather from thrift stores… Lately however I work with these amazing Australian designers called Cabbages and Kings who’ve made some amazing outfits for me! I love their stuff. My favorite costume was made in 2005 by YSO a fabulous Montreal based designer and it’s featured on the cover of Concrete Igloo. It’s made of leather and I wish I could afford to hire him to make me something else!”

R:  Has the music or image of Dandi Wind changed over the years? What has been the evolution?
DW: “Yeah totally, you could say we’ve gone through 3 very different sonic stages.
Initially we were kind of like 70s glam/pop influenced, ie: T-Rex, Sweet, Slade. then we went into our heavier cathartic punk era when I was young and angry and thought I could change the world, which would be Concrete Igloo.Then when I realized the reality of how the world works, we created Yolk Of The Golden Egg.

Live I don’t feel I’ve changed drastically as I most enjoy doing dance songs in live settings. Also whenever we do singles/7 inches I think we maintain a connection to our pop/glam roots.”

R: What is your favorite city you’ve played in so far?
DW: Taipei – I was electrocuted onstage and almost died but it was an amazing performance.
If I had died then I would have been happy as I was having a great time in a cool place doing what I do best.

R: What are your thoughts on being a strong front woman?
DW: “I don’t know as I’ve always been a woman. However in history many of my favorite performers are women; perhaps because we are more conscious of our bodies?  But I love Nina Hagen, Jun Tonagawa, Gloria Trevi, Grace Jones, Siouxsie, Lene Lovich, Toyah, Hazel O Connor, etc.”

R: When I saw you live what was evoked for me was the spirit of riot grrrl and the early days of electroclash when it was very girl centric. This is a culture that seems to be being erased slowly–as there are fewer and fewer strong visible front women.
DW: “Well I don’t know about electroclash because I hated it for being too self aware. However, I have definitely noticed in the last 5 years a shift towards anti-feminism with stuff like Uffie which is so tepid, so “rape me” un-empowered and pathetic. It is unfortunately taking the limelight when the many current strong female front women languish in obscurity.

For whatever reason in the early 90s stuff like Bikini Kill, Hole and L7 became mainstream which is pretty insane compared to today; I was pretty unaware of the movement at the time but of course loved Courtenay Love…

I think the reason you don’t see music like that in the mainstream anymore is that record labels have become so conservative in signing bands that the stuff that even big indie labels put out is far more conservative than things that were in the top 40 in the 80s and 90s. It’s sad that as a result of piracy things have become far more homogenized in term of bands that can make a living touring or selling things.”

R: Do you listen to many female fronted bands?
DW: “Yes. There are so many female fronted bands that deserve to be successful such as:  e.s.l, Brilliant Pebbles, Pony Da Look, The Violets, Kap Bambino, Terror Bird, Duchess Says,  Marina and the Diamonds, PlanningToRock, Apache Beat, Alex and the Drummer, Suspria, Certain Breeds, Fan Death, Glass Candy, Lesbians on Ecstacy, Mu, GoChic, Les Georges Leningrad RIP, Ch 3 & 4 RIP….

There are loads and loads of them– unfortunately most cannot afford to press cds or tour outside of their own town so basically you’ve got to look around myspace or, like me, travel incessantly. So great females live on even if only like trees that fall in an empty forest.”

Orgasmic Birth (Just…why not?)

Orgasmic Birth is a child birthing method that explores idea that women actually have the ability to enjoy childbirth, that it can be a pleasurable experience and should be private, loving and sensuous. Also that women have the natural ability to orgasm from giving birth. My initial thought was “well these women must be masochists who are getting off on the pain.” Upon learning more about it though there seems to be something more as the hormones released in childbirth are the same as those released during sex.

I first heard of orgasmic birth when Jezebel covered the documentary about the topic awhile back. Watching the trailer for the documentary, I felt excited. I paused for a moment and I realized that I was beaming.

The idea of orgasmic childbirth is clearly an off-putting concept. The idea of combining sexual pleasure with birth is at once shocking because a newborn is thrown into a sexual context. I suppose you could also argue the mother is in a round about way (or maybe even directly) obtaining sexual pleasure from her child.

Though after rolling the idea over in your brain or researching the topic it should become clear that birth as a sensuous experience is not about pedophilia or sexualizing the baby. Yet cultural taboos do remain. The idea of an orgasmic childbirth breaks the social norm and the ancient notion that births, periods and all of the earthy, raw experiences of being a woman are unmentionable, things that we “just don’t talk about.”

This also opens up the discussion for how we currently handle births and treat expecting mothers in hospitals which is directly discussed in the film Orgasmic Birth. On the film’s website Pediatrician, Lawrence Rosen points out  that “the way women are cared for as their babies enter the world can profoundly affect their own health and well being as well as that of their infants.”  Recently on Early Childcare Blog, Dr. Laura Johns weighed in on the question- What is the most important thing you can teach your infant? Her answer was trust; that an infant’s first task is to develop a sense of trust. I can imagine no better way for a tiny human whose sole mission it is to gain trust than to come into this world into the loving arms of his glowing post-orgasmic mother and nearby father (or other mother) in a safe and comfortable environment. My friend and I were discussing the concept of orgasmic birth and she asked “do you think that the baby and the mother are happier?” We agreed that that a baby being born into in a calm environment full of love and intimacy must be happier than the one who came into a bright room full of masked strangers passing her around, eventually handed to a worn and frazzled mother who is out of her natural environment.

What had me smiling though as I watched the trailer below was this thought: It’s like these women have unearthed a secret of life. Of course this key does not come from hiding birth from your partner, making childbirth a mysterious female affair with midwives and women relatives tending to the mother. Nor does it come from giving birth in cold awkward hospitals, hooked up to machines, with a stranger’s gloved hand inside you. It comes from passion, comfort, tenderness and intimacy. The root of the secret is love.

Trailer for Orgasmic Birth below

Indian Summer

The first official day of Autumn fallen at our feet and the romance of Summer is fleeting.

Though I absolutely adore Fall, there is something sad about letting go of Summer. So how to go about relishing the last drops of Summer?

Here are some ideas, including alot of alcohol and an easy yumm recipe for fish tacos with mango salsa:

  • Drive around aimlessly in the car with your BFFs like you did when you were 16. Roll down the windows and crank up the music.
  • Go on a local dive bar tour with your friends (and dress the trashy part.) Order cheap beer and tequila shots.
  • Buy some sparklers and pack them in your bag when you go out. This was an old party trick of mine from clubbier days– when everyone is milling outside of the club trying to decide where to go next,  break out the sparklers, light and pass around. I guarantee you will find the most fun of after party.
  • Drive around on Saturday morning going to various Garage Sales.
  • Go to the beach at night with a friend and a bottle of wine. This is how I spent most of Summer 2006 in the Gold Coast.
  • Have a picnic of course! Locally, I recommend grabbing sushi at Osaka (400 S, Michigan Ave, Chicago–delicious veggie lunch combo for $4.50!)  and picnicking at Grant Park (right across the street) or packing a huge picnic with all of your friends, tons of beer and hanging out in Wicker Park all day, inviting snaggle hipsters to join you.
  • Go on a midnight bike ride
  • Make some S’mores. If you don’t have a firepit no worries, stove s’mores are delicious and also a fun party idea… Carmen and I lured many people to come after-party with us using this yummy trick . “Noooo come to our house we’ll make s’mores and drink PBR!”
  • Make a summer playlist (first on mine would be Banannarama- Cruel Summer)
  • Sparksmosas (TM): Sparks and Champagne, a deadly yet fun poison.  Only for the pros as a rule, try it if you dare.
  • Wear a head scarf. Not sure exactly why this feels summery to me. I’m intrigued by experimenting with wearing mine Russian old lady style…which isn’t the most summeresque but whatevs.
  • Go to a drive-inn movie: Locals: I recommend the Cascade Drive Inn at 1100 E. North Ave, West Chicago, IL.
  • Visit a botanical garden: Chicago Botanical Garden is located at 1000 Lake Cook Road, Glencoe, IL
  • Wear hot pink lipstick: doesn’t it just seem like a more of a Summer look? I say do up the color splash and wear it with bright yellow or purple eyeshadow.
  • Go swing on some swings. Bring a friend or just your ipod. It can mind blowingly relaxing.

Lastly, for a final goodbye hostess an RIP Summer Fiesta. And to start you on ideas I give you my recipes for summery fish tacos, chunky guacamole and sangria:

Chunky Guacamole (serves quite a bit)

4 avocados , chopped

4 tomatoes, chopped

1 red onion, diced

1 bunch cilantro, chopped

8 oz mild giardinara (or to taste)

8 oz hot giardinara (or to taste)

juice of 1 lime

salt to taste

Directions: Mix all ingredients together and refrigerate for at least 1 hour. Serve with tortilla chips

Fish Tacos with Mango Salsa (Makes about 4 servings)

Salsa:

1 cup chopped peeled mango

1/4 C chopped peeled cucumber

(add 1/4 c avocado for a more hearty taco)

1/4 c red pepper

1/4 c chopped green onions

1/4 c  chopped fresh cilantro

2 tbsp minced jalapeno pepper

1 tbsp fresh lime juice

1 tsp xtra virgin olive oil

1/8 tsp salt

Fish:

2 tbsp lime juice

2 tsp olive oil

1/4 tsp ground cumin seed

2 cloves minced garlic

4 (6 oz tilapia or halibut fillets)

1/4 tsp salt

cooking spray

remaining ingredients:

4 10 inch flour tortillas

1 C shredded red cabbage

1/4 C sour cream

lime wedges

Directions: 1. To prepare salsa, combine mango and rest of salsa ingredients in a small bowl, cover and chill for at least one hour.

2. To prepare fish, combine 2 tbsp lime juice, 2 tsp olive oil, cumin and garlic in a large ziplock bag. Add fish to bag; Marinate 15 mins, turning once. Heat grill while fish is marinating. Remove fish from bag. Sprinkle both sides of fish with salt. Place fish on grill rack coated with cooking spray; grill four minutes on ea side or until fish flakes easily when tested with a fork. Flake fish into large chunks.

3. To prepare tacos, place tortillas on grill rack coated with cooking spray; grill 10 seconds. Divide fish and cabbage evenly over one half of each tortilla; top each tortilla with salsa and 1 tbsp sour cream.  Fold tortillas in half. Serve with lime wedges.

Sangria (Beware of eating the alcohol drenched fruit!)

2 bottles dry red wine

1 cup orange liqour such as Cointreau

1 orange sliced

1 lemon sliced

1 cup sliced peaches (canned is ok)

Soda water or club water (optional)

Directions: Mix together the first five ingredients. Add soda water to taste if desired. Serve in pitcher.

R I P  SUMMER 08

w t f ?

 

 

AAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!

I dno what this vid is/orginally was for but…..amazing.

barbie art stars

I admit it, I am a Barbie apologist. Sure, the doll promotes ridiculous beauty standards; her proportions are beyond unreal and B does seem to ha

ve a bit of a prob with tanorexia. Aaaaand.. there was that time in 1994 when Talking Barbie was released and little girls everywhere who had been waiting to hear the voice of their idol were welcomed by the sqealed observation “Math is hard!”

Yet, I have a pink fuzzy soft spot for mini tanned tool of patriarch. I played with Barbies as a kid and while Barbie is viewed as dangerous for girl’s self esteem or shallow and unconstructive, I feel that I did some of my best playing with my pack of blondes. Barbie was the blank stage onto which I could pour my imagination, act out my frustrations and aggressions. As far as her preposterous figure is concerned it lent itself nicely to the rather graphic sex scenes I directed.

So it comes as no surpr

ise that the controversial plastic lady has become an obvious target for many artists who also are conflicted on their feelings for the Russian sex doll gag-gift turned American icon. I’ve noticed a plethora of Barbie art in the past years, so much that it has become some what of a cliche but oh, that hot pink soft spot…so I present to you some of my faves:

Albert Crudo

Crudo

close-up

Albert Crudo’s Barbie Clock

Crudo

Deborah Colotti
Deborah Colotti
Krudo
Crudo
krudo
Crudo
Krudo
Crudo

barbie poo!

Crudo

Lavonne Sallee
Lavonne Sallee
LaVonne Salle
LaVonne Salle

Crudo

Artist Unknown

Why yes that is a baby going in trashcan!

Irina Polin
Irina Polin

Irina Polin

Irina Polin

View more Barbie art stuff here:

http://www.albertcrudo.com/barbie/barbieexhibitfinal.htm

http://ooakbarbies.com/index.htm

http://www.barbieinablender.org/

http://rhizome.org/artbase/6104/